“Cripping Choreography,” Art in America, March/April 2021 cover story


“Body Meets Design,” The Baffler, September 2020

“Flexible Forms, Accessible Art: Shannon Finnegan,” Crocker Art Museum, December 2020

“The Radical Accessibility of Video Art (For Hearing People)” Future Anterior Vol. 16, no. 1 (Columbia University and University of Minnesota), Summer 2020

“Cow, Cunt, Crip,” Thresholds (MIT Press), April 2020

“How Museums Are Making Artworks Accessible to Blind People Online,” Art in America February 2020


“Critical Creative Corrective Cacophonous Comical: Closed Captions,” Mousse #68

“Disability and the Politics of Visibility: Letter from the Guest Editor,” Art Papers 42.04

“Art Spaces Should Be More Mindful About Their Use of Strobe Lights,” Hyperallergic


“Toward a Feminist Ethics of Circulation” Topical Cream 


“‘Total Freedom to Dissolve’: Shigeko Kubota’s Video Sculptures” Haunt Journal of Art #4

“Love, by the Book: On Affective Cliche’s in Sophie Calle’s Double Game” Život Umjetnosti #100

“Can the Subaltern Tweet?” Frieze online

“An Index of Intimacy” in An Inventory of Shimmers, Objects of Intimacy in Contemporary Art (MIT List Visual Arts Center and Delmonico Prestel)

“Anicka Yi: Thick Skins, Goose Bumps” Espace art actuel #117

“The Promiscuity of Images” PROPS #14


“Wrapped in Tin Foil: A Report from the Balkans” Sequitur 3.1



“Niloufar Emamifar: Architectural Afterthoughts,” Art in America, February 2021


“The Art of Animal Liberation,” Art in America, October 2020

“Willa Wasserman’s Art of Skepticism and Sentimentality,” Art in America

“In Ollie Dook’s Animated Works, the Talking Animals Talk Back,” Art in America

“Berenice Olmedo’s Sculptures Use Debris and Dog Carcasses to Honor Those on Society’s Margins,” Art in America

“Observing by Touch, Blind Artist Emilie L. Gossiaux Sculpts Tattoos and Dancing Dogs,” Art in America


“Trevor Shimizu’s Painter Persona Spoofs Masculine Ideals of Artistic Genius,” Art in America

“Red, White, Yellow, and Black: A Multiracial Feminist Video Collective, 1972-73”

“Abundance & Interference: Constantina Zavitsanos,” Art in America

“Studio Visit: Jesse Darling,” Berlin Art Link

“Innocence Impossible: Bunny Rogers,” Mousse #67

“Studio Visit: Christine Sun Kim” Berlin Art Link


“Selling Sweat: On the Ethics of Renting ‘Extraordinary Bodies’ in Mika Rottenberg’s Videos,” Another Gaze 02



“Loitering, Legibility; Disability, Design” Art Papers with Gabriel Cira

Interview with Riva Lehrer, Art Papers 42.04

Interview with Michele Meek about Independent Female Filmmakers: A Chronicle Through Interviews, Profiles, and ManifestosThe Independent

“Ericka Beckman” in Independent Female Filmmakers: A Chronicle through Interviews, Profiles, and Manifestos (Routledge)


“Women and Media, Then and Now” Mousse #64, with Ericka Beckman, Dara Birnbaum, and Lynn Hershman Leeson


Artificial Tears” Mousse #59, with Marlies Wirth

“Ericka Beckman: Game Mechanics” Mousse #58, with Ericka Beckman



“Magnificent Monstrosity: Riva Lehrer’s Golem Girl,” Art in America, February 2021


“A History of Architects Mistaking Design for Politics,” Art in America

“‘More Than Cinema’ at Pioneer Works,” Art in America

“Jennifer and Kevin McCoy Explore the Gulf Between Working at a Hip Office and Cleaning It,” Art in America

“Ed Atkins’s New Work Shows That His Real Medium Might Be Poetry,” Art in America


“A Survey of Hannah Wilke’s Work Traces Her Engagement with Bodily Vulnerability,” Art in America

“Anna Daučíková Explores the Body Through Glass,” Art in America

“Alissa McKendrick’s Paintings Offer Weird Combinations of the Frilly and the Fierce,” Art in America 

“Saâdane Afif: This is Ornamental at Kunsthalle Wien,” Journal of Curatorial Studies

“Lizzie Fitch and Ryan Trecartin Go Amish,” Art in America

“Binary Code: Two Shows on Gender and Technology,” Art in America

“Up in Arms: Hito Steyerl at the Park Avenue Armory,” Art in America

“Henrike Naumann at KOW,” Art in America

“Small Talk: Art and the Weather at the 58th Venice Biennale,” Art in America

“Lin May Saeed Girl with Cat at Jacky Strenz,” Artforum 

“Alejandro Cesarco These Days at Tanya Leighton,” Art in America

“Julia Scher Wonderland at Esther Schipper,” Art in America


“Jason Moran / ICA Boston” Flash Art online

“Renée Levi / Dino Zrnec at Vin Vin at Ruyter, Vienna” Mousse online

“Diana Thater at ICA Watershed” Brooklyn Rail September 2018

“Candice Breitz Love Story at MFA Boston” Brooklyn Rail Summer 2018

Broadcasting: EAI at ICA” Mousse #63

“Ken Kagami and Trevor Shimizu at Mendes Wood DM, São Paulo” Mousse #61

An idea of a boundary at San Fransisco Arts Commission Gallery” Brooklyn Rail Feb. 2018

“Mika Rottenberg at the Bass Museum” Brooklyn Rail Feb. 2018


Delirious: Art at the Limits of Reason, 1950-1980” Mousse #60

Black + Brown People | White Problems at Samsøn Projects” Art Review Dec. 2017

“Annette Lemieux: Mise en Scène at MFA Boston” The Brooklyn Rail Nov. 2017

What is the relationship between ceramics and contemporary art? at Kaikai Kiki Tokyo” Spike #53

“The 2017 James and Audrey Foster Prize Exhibition at ICA Boston” Art Papers #41.02


UH-OH: Frances Stark, 1991-2016 at MFA Boston” Art Papers 40.6

The Love Object at Team (gallery inc.)” Mousse

“Vincent Fecteau at Vienna Secession” Art Papers 40.5

“RB: Gap, Gaping I at kijidome” Art Papers 40.2

Texts For Exhibitions


“no x in nixon,” Skulpturinstitut, Vienna

“Jacky Connolly: Ariadne,” Downs & Ross, New York

“Artist Project: Andrea Crespo,” Art Papers 42.04, print


Catalog Entries, Before Projection: Video Sculpture 1974-1995 (MIT List Visual Arts Center & Hirmer Publishing)

“Liquid Assets, Lubricants: Sheida Soleimani’s Medium of Exchange” in Sheida Soleimani: Medium of Exchange  (CUE Art Foundation), republished in Orlando, 2019

“Emily Watlington on the ‘Paiktriarchy’ of Video Art History” ICA/Boston Art in the Age of the Internet


“Dino Zrnec: Paintings” exhibition text at Vin Vin, Vienna republished in Mousse



“Failing to Act, Acting to Fail: the Films of Margarethe von Trotta” Another Gaze

“On Well-Meaning White Women: Josephine Decker’s Madeline’s Madeline,” Another Gaze

“Picturing Prisons at Anthology Film Archives,” Art in America

“Hikari’s 37 SECONDS” Another Gaze


“Learning to Care: Adina Pintilie’s ‘Touch Me Not,'” Another Gaze